Popping Back to my Childhood


Paper and scissors are like chocolate and orange – fun separately but when you put them together amazing wonders unfold. I recently did a workshop with paper artist, Benja Harney. It was for pop-up books. I’d tried making my own sketch books and thought I could somehow translate some skills into what I wanted. I went expecting to do some cutting and pasting.

What I got what was a look into a beautiful crisp cut world of Benja. Apart from a lovely guy he is an immensely talented artist. It was a moment when everything became connected. The gallery where the workshop was held was host to an exhibition on book illustration. A good kick in the pants to once again enjoy the art of drawing. To stop sooking -as in some of my previous posts.

Works by Shaun Tan, Graeme Base and Ron Brooks made me feel like a kid again, reading books for the pictures. I remember making a dust jacket for The Mouse That Roared in primary school. It sticks sharply in my mind, I loved doing that. The folding, drawing and writing. I remember thinking this is what I want to do forever, it was magic, I made the ship huge and the mouse sit in a boat in the foreground.

The exhibition let me into that magical world where imagination becomes reality and in Leigh Hobbs’ case – follow a sculpture of Mr Chicken who went to Paris.

 

The last of the day unfolded when I arrived home to find my beautiful daughter had bought me a new book on her travels : Six Fairy Tales from the Brothers Grimm with Illustrations by David Hockney. A reprint from the 1970′s.

The pop-up was unfolding before me. I know that I want to incorporate the owl and the pussycat into my next series of paintings. What better way than to create a book, fold and slice, draw and paint, cut and paste, nip and tuck. My work today was clumsy and far from delicate but I went home in awe, the same feeling when I saw my first pop-up as a child.

I also came away with a few clumsy pop-ups of my own.

Larapinta Painter

There is nothing like the red dust of Central Australia that makes the blood pump in painters. My painting pal, Michael has been constantly pumping paint since his return.

I know the feeling, you just can’t shake it and everyone that I know who has been there is in the same boat, you have to get back there.

On a trip with World Expeditions to the Larapinta a gaggle of artists took in Mt Sonder, the dust and dingoes. Michaels small studies are fresh and capture the essence but on coming home they proved to also be a source of research material and combined with remembered landscapes was impetus for larger works.

This week some of that red dust falls on Hazelhurst Gallery in Sutherland and another of us that have ventured inland away from the edge will attempt to convey to the unconverted the love of landscape.

Cheers Michael and good luck!

Surface Tension: the art of Euan MacLeod 1991-2009

MacLeod spoke about this exhibition and how it wasn’t up to him to choose what was left out.  I was impressed with what was included and estatic to find the fire paintings that had inspired me years earlier. Serendipity once again played the part after the move I was packing away books and came across “Fireworks” a catalogue of an exhibition I had seen in 2005 at Hazelhurst – I noticed it was Gavin Wilson once again. His curation of that show was brilliant and here I am 5 years on admiring his job at the Ervin. Sometimes the curators are the unseen heroes of an exhibition.