The Light and Dark

My last post was the third room of the Abstract Expressionism exhibition at the National Gallery Australia.  Like a cartoon story of a superhero, I had left you in that room, waiting. The next painting was by Lee Krasner Combat 1965 and I just couldn’t tackle that painting in a couple of words. All pink and orange and light, open and crisp and on the opposite wall Cool White painted in 1959 and separating those opposite ends is Jackson Pollock’s Blue Poles and Totem Lesson 2.

Cool White was painted by Krasner after the death of Jackson Pollock and her mother. The muted colours were the result of painting in the dark, suffering insomnia.  She chose to limit colour that was better tackled in the daylight.

I guess I was impressed with the difference in these works knowing our paintings are victims of circumstance.

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