Taking the time to paint can be a struggle, a lingering tortuous event but unfolding a painting is never as difficult. The more you look, the more you get. The longer you look, the more it reveals. National Slow Art Day is coming to a close, slowly creeping up on me. The National Museum of Australia holds a beautiful work by Martumili Artists. The museum invited people unable to get to the painting to take a digital look at a selection of works. I decided to concentrate on this fabulous indigenous work. In the flesh the size of the work encompasses you so looking at it from a distance today, on-line, gives a whole different perspective. The longer I look, the more intense it becomes and the lines seem to shimmer. Tiny turquoise pockets pressed between the rows feel like they are under pressure, they feel as though they want to ooze past the strands over the gentle patterning ready to seep to the edges.
I found slowing down I started to move my mouse over the work, rhythmic. Something you can’t do with a painting in a gallery. Working from a touch pad sort of felt connective and mesmerising. Patterns on the screen unfolded into patterns of movement.
I love being able to spend time with one work in a slow art day way. Today, Saturday, was overcast, drizzly and a bit cold. Martumili Ngurra was like a warm pumpkin soup. Delicious and oozily orange. I felt I touched it and moved with it the longer I looked.
Give yourself time today, slow it down, connect.