Anne Truitt: Wanting What I Can’t Have

HirshornTruitt

“Artists are thrust straight up against the wave of their ambition in the world as well as their ambition for their work. Unless they like being rolled over and over on the sharp pebbles of their inconsistencies, they have to dive through this wave into understanding” Anne Truitt: Daybook The Journal of an Artist.

 

I have curly hair, I always wanted straight brown hair and I can still hear my mother’s words – “you always want what you can’t have” as she yanked the brush through wayward tangles, snapping my neck backwards.  Not only do I still want smooth, brown, tangle-free hair, but I also want my art to be as sleek and ordered as a brunette on a still day. Having just finished reading Anne Truitt’s Daybook I couldn’t help but feel it doesn’t matter what we want, we find comfort in others like us. She found that moment in the work of Barnett Newman and I, in her words. Despite the comfort of knowing other artists feel the same insecurities, the pebbles of inconsistencies still roll around my work.

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The Logistics of Bigness

23032010 001I have been in a state of continual poor, poor, pitiful me. No studio. No room. No paint.  Over the past few weeks I have been trying to organise my artself- what’s sold, what’s stored, what’s donated, given away, torn up and lost. It feels never-ending. I’m up to entry 72 and it is one huge drawing – 1.5 m x 2.950 m.  I loved doing this drawing – the setting up. I had a studio then, but it still meant getting an old door across a trestle, rolling out the paper to the length of the door surface. I can’t remember when I last saw it – it must be rolled up in the garage somewhere. It was part of the Roadside Series and looking back one I feel I can come back to.  Each time I drive I see something that could be translated by a piece of dusky charcoal and a fence-painting brush full of gouache.

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Reading sculptor Anne Truitt’s Daybook has resonated with me over the last week. She found herself in the same pitiful spiral of no room. A sculptor must feel this restriction of space so much more, however she decided rather than cry over space deprivation she would use what space she had- the kitchen table- to draw.  I think this is an admiral decision, and good advice to follow – I’ve been doing small kitchen-appropriate drawings and paintings but really they don’t cut the mustard for me.

Here’s a look at a few shots – process and finished works.

Studio Roadside